If Karen Mok weren’t such a grounded star, she might be phased by the latest twist in her roller-coaster life journey. The slightly built, whip-smart Eurasian girl with the enviable wavy mane who spent her childhood as Karen Joy Morris, and her 20s and 30s in the limelight as Karen Mok (her grandmother’s surname) China superstar, now has a semi-secret new identity. She lives half her days quietly incognito in London as Mrs Johannes Natterer.
As those in Asia with an interest in Hong Kong celebrity gossip will know, a year ago this month Mok (or rather Morris) married the European boy she first fell for as a 17-year-old UnitedWorldCollege student in Italy. The youngsters went their separate ways after graduation – he to his native Germany and she to read Italian literature at the University College London and then back to Hong Kong to cut her debut album in 1993 – but the sparks re-ignited a couple of years ago after a school reunion. With their love affair happily back on track after more than two decades, do they regret that initial parting. “No, we’d probably have killed each other,” jokes the celebrity half of the new Natterers. “We’ve both matured a great deal.”
Johannes now works in finance in London and has three children from a previous marriage. “Ready-made kids – brilliant!” quips Mok. “No need to go through all the hassle [of having babies]. They are all teenagers so we are like friends, which is cool,” she adds, seriously. So, a loving partner, an instant new family halfway around the globe and a sharp increase in frequent flier miles for the versatile performer, who at 42 is not ready to rest her voice or hang up her acting chops quite yet. Incidentally, does anyone actually call her Mrs Natterer (pronounced Nutter by the English)? “My mum does,” says the star with a grin.
Mok today is more open about her private life than when we last interviewed her for this magazine (in 2005). Then, and on our first meeting four years previously, she had insisted, polite but firm, on not discussing her relationships, if any. She and actor-director Stephen Fung were dating at that time (indeed, for nine years), but ironically it wasn’t until just before their split in 2007 that they publicly acknowledged the fact. Another ironic quirk of fate: Mok and Fung were both making films about tai chi last year (Man of Tai Chi and the Tai Chi trilogy respectively).
"Keanu Reeves was completely focused, really knew what he wanted. And he's a really nice guy, so he never lost his temper!"
In 2005, Mok had just completed her first Hollywood movie, Around the World in 80 Days, with Jackie Chan. Fast forward seven years and the actress has a second international credit under her belt. Man of Tai Chi, which was shot in Beijing and Hong Kong last year, is Keanu Reeves’ directorial debut. It’s one of a slew of emerging joint US-China productions, but with a host of CGI special effects to add in post it will be another year before it plays in cinemas.
Mok was alerted to the role by CAA (Creative Artists Agency), which represents her in Hollywood, and met Reeves in Beijing to discuss it. “We just hit it off,” she says happily. She admits to being a bit of a Keanu fan girl going into the project, and more so at its conclusion. “I was quite impressed,” she says when asked about the directorial talents of the actor who has encountered mixed reviews in front of the camera. “He was completely focused and really knew what he wanted. And he’s a really nice guy, so he never lost his temper with us!” In the action flick, which charts the exploits of a young modern-day martial artist played by Tiger Chen, Reeves is the bad guy and Mok the Hong Kong cop. “I’m quite good at that; I’ve got this tough look,” she says deadpan, noting she has tucked away quite a few police dramas in her 40-something local movie portfolio.
Mok is no slouch at a number of ‘looks’, collecting acting award nominations for God of Cookery (1996), Tempting Heart (1999), Wait ‘Til You’re Older (2005) and Mr Cinema (2007). Her career got off to a bright start with a Hong Kong Film Award for best supporting actress in Wong Kar-wai’s Fallen Angels (1995). (In this early outing, and Around the World in 80 Days, she was mistakenly credited as Morris not Mok.) Filming Man of Tai Chi was not without its hairy moments. “One scene has a car tumbling downhill with me in it. This is done by CGI afterwards of course, but to get shots of the interior the car was put on this big spit thing so it could turn – like roasting a pig. I was stuck inside. It was like being on a new roller coaster ride at OceanPark!”
Cars may be something of a sore point with Mok, literally. While the star is posing for our cameras in the plush first-floor lounge at Lanson Place hotel in CausewayBay, her flamboyant longtime PA Joey Chen (employed, his card states, by ‘The Mok-A-Bye Baby Workshop’) relates with not-yet-forgotten horror how she was knocked down by a taxi while crossing a nearby street this summer; Mok called him from the hospital. Thankfully her injuries were minor.