Sony’s MDR-Z1R has one of the largest drivers ever put into a headphone

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First announced at IFA 2016, the MDR-Z1R is Sony’s newest flagship closed-back headphones. They only come in black and are easily one of the best-made headphones on the market. The headband is made out of beta titanium for lightness and strength. It is also lined with leather and generous amounts of padding for wearing comfort. The headband slides to accommodate heads of various sizes and the slider mechanism is numbered so it is easy for users to adjust the headphones to get their favorite fit. The slider and the hangers that hold the ear cups in place are both made out of aluminum. Finally, the ear pads, which are angled and covered with sheepskin leather, are super plush and large. Insofar as comfort is concerned, few headphones can rival the MDR-Z1R for overall wearing comfort.

Thanks to its distinctive ear cups, the MDR-Z1R looks good too. The shape of the ear cups isn’t just for design sake, it is actually dictated by function as it helps reduce unwanted resonance. Inside, there’s an additional piece of acoustic filter made out of Canadian softwood fibers that further absorbs and reduces resonance.

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The MDR-Z1R comes with detachable cables. The rear of the hangers terminates in a 3.5mm jack, so it is easy to find aftermarket cables for the MDR-Z1R. In any case, Sony provides two cables: one 3.5 meter cable that terminates with a 3.5mm plug with a 6.3mm adapter, and another 1.2 meter that terminates in Sony’s new Pentacon 4.4mm balanced connector. Unfortunately, not many amplifier offers Sony’s new balanced connector.

The MDR-Z1R also comes with a large presentation box with separate compartments for the headphones and cables. The box is extremely luxurious with a leather outer case and soft satin lining on the inside. Unfortunately, the box is also very bulky and not very portable. Considering the high price of the MDR-Z1R (S$2,599), Sony really should have provided a separate carrying case.

However, the biggest feature of the MDR-Z1R is its drivers. In place of bio-cellulose drivers, the MDR-Z1R uses a 70mm large magnesium dome that is surrounded by an aluminum-coated liquid crystal polymer edge. This is easily one of the largest drivers ever put into a headphone. Sony claims the drivers can reproduce sounds from 4 Hz all the way up to a staggering 120,000 Hz. That sounds impressive, but remember, humans can only hear up to around 20,000 Hz at best, so that’s mostly just a number for bragging rights.

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Indubitably, MDR-Z1R sounds fantastic. One of the best qualities of its sound is its bass. It is hard-hitting, clean, and gratifying. Also impressive is its resolution, vocals and instruments sounded incredibly textured and detailed. Its soundstage is also impressively wide and would easily put a lot of open headphones to shame.

However, the MDR-Z1R does have some issues. Treble sounds uneven and this can make female vocals and certain instruments sound a little unnatural. The overall tonality also sounds a bit off to me with vocals sounding far too muffled and distant, which gives the MDR-Z1R a very V-shape kind of sound.

Overall, if its neutrality and accuracy that you seek, you would be better off with other headphones. The MDR-Z1R certainly isn’t what would be called a “reference” pair of headphones, but what it does offer is a fun sound that is easy on the ears and suits contemporary music very well. If you prefer dance, trance, rock, and pop music more than oldies, acoustic, or classical music, Sony’s new MDR-Z1R would be right up your alley.

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Story originally appeared in the September 2017 issue of HWM | HardwareZone

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